Chimamanda Ngozi Adichie was born in Nigeria in 1977. She is from Abba, in Anambra State, but grew up in the university town of Nsukka where she attended primary and secondary schools and briefly studied Medicine and Pharmacy. She then moved to the United States to attend college, graduating summa cum laude from Eastern Connecticut State with a major in Communication and a minor in Political Science. She holds a Masters degree in Creative Writing from Johns Hopkins and a Masters degree in African Studies from Yale.
Purple Hibiscus won the Commonwealth Writers' Prize and the Hurston/Wright Legacy Award. It was also short-listed for the Orange Prize and the John Llewellyn Rhys Prize and long-listed for the Booker Prize. Her short fiction has appeared in Granta, Prospect, and The Iowa Review among other literary journals, and she received an O. Henry Prize in 2003. She was a 2005-2006 Hodder Fellow at Princeton, where she taught Introductory Fiction. She divides her time between the United States and Nigeria.
Her newest novel, Half of a Yellow Sun recreates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in Nigeria, and the chilling violence that followed.
With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor's beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna's twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and they must run for their lives, their ideals are severely tested, as are their loyalties to one another.
Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race—and the ways in which love can complicate them all.